I am a mother, a grandmother and a contemporary realist painter currently living in Montana. I was encouraged to be an artist when I was younger due to some sad events in my life. Through this experience I started to learn and understand how much of an impact being an artist and the art world in general could have on a person if given a chance. Later, I wanted to be a seascape painter and went to school where I received my Associates in Fine Art/Humanities (2007) and have been able to continue my artistic education through books, the internet and personal experiences. Today I do not just paint the ocean but I paint anything that inspires me. Through my artwork, I want to encourage happy thoughts, happy memories and positive perspectives in order to stimulate a happy heart within my viewer whether it be from a nature scene to something as simple as a favorite coffee cup. - Frankie Stockman 2021

Please continue down for more information, interviews with artists and some painting tutorial and ideas! ________________________________________________________________________________________________________________________________

Learning to love Modern Art!

I was doing some studying lastnight on art and I came across a little thing on Theo Van Doesburg (1881 -1931). His art work made me think about something that may have nothing to do with the art itself. I don't know because I do not know enough about him. Just the small bit in the book that I have. So I am just going to tell you about that for now. Then later I can go and learn  little more about him and see what his motives were. If there were in fact any at all. 

I am not a huge fan of Modern Art. As a matter of fact if I had seen the end result of this study from Theo, I would have looked and moved on not thinking anything special about it. I don't "understand" it so I don't care to look at it. How awful is that?? Pretty awful but I admit it. And this thought is what got the ball in my brain rolling. 

First let me show you what I saw: 

Study of a cow 1 for composition

Study of a cow 2 for composition

Study of a cow 3 for composition

Study of a cow 4 for composition (Tempera, oil and charcoal on paper)

Study of a Cow Oil on Canvas 1917. Museum of Modern Art New York Purchase

So here you can see that he went from "natural" to "abstract". I do like to see how he broke it down the way he did. I can actually see the cow now in the last study. It makes perfect sense to me now. 

The end result doesn't really "comply" with what I personally deem to be beautiful art. To me this is nonsensical. But with all the studies in play I see an entire lesson before me. Of course it is that old saying to never judge a book by its cover. 

I started to think deeper than just art though. How easy it is for us to judge things that we don't understand so quickly? We do it to our fellow humans all the time. We don't understand another person so we tend to walk away. They do not comply with our standards so we turn around and ignore them. This painting reminded me of that. 

I have seen so many people just like that painting. No order. No perspective. I can't identify who they are or what they are doing. I am sure that if I could go back to their natural state when they had beautiful curved smiles and beautiful shining eyes with depth and perspective, I would be able to see a hint of that still in their flat shapes and unrecognizable compositions that stood before me now. I wouldn't walk away so fast. I would actually appreciate them for what they are - Humans. Just like me. 

So now for the end result of Study of a Cow. I appreciate what I see before me and see it as it

should be seen - as a work of art. Good Job Theo.

Theo Van Doesburg - Self portrait in a hat. I bet without those composition breakdowns - you would not have guessed he painted like this also! Just goes to show.. we judge way to quickly. I know I did!

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It was a gamble but I had to try something! Fixing a rip in the painting.

A couple of weeks ago I was doing a little showing at one of my friends stores - Time Passages Broken Arrow and I had an accident. I had asked my friend if I could show one of her paintings because I believed it to be one of my better paintings..  She agreed and then made me promise that nothing would happen to it. I promised. Who would have thought that I would be the one to rip it? 

Here is the painting. Before any damages. 

Here is the rip. It was so dumb how it happen! I was setting up the easels that I had bought to display the paintings and it slid down over the painting and just cut it like a hot knife through butter! My heart sank! I couldn't breath! I had to hold back the tears because I didn't know the people I was around and really didn't think they would understand and maybe accuse me of being over dramatic.
I ended up putting a patch on the back with some gesso. 

I learned this from the internet. I took a small piece of canvas material (I used cross stitch material) and cover it in gesso then basically stick it to the back of the canvas over the ripped section. I set something heavy on it to let it dry. Took about 3 days before I dared to touch it.  

I could still see the spot where it had ripped so I then began to layer it with paint and match the colors. Soon I had it all nice and you couldn't see where it had been ripped. YAY! I was done! I saved it! Wrrong!

I had it sitting on a table waiting to dry and I think the cats knocked it down or something FREAK accident happen and when it was on the ground, I think my dog stepped on it and punched a huge hole in the upper left hand corner. I seriously thought I was going to have a nervous break down! I was pacing the floor.. Any painting but this one!! Why this one!? 

This time the damage was much more so I had to rethink how to fix it. I learned a trick on the net that you can use Gelatin and chalk! It would make a type of putty that I could use in the front. First I had to do the patch on the back.. Same thing only this time I used none acidic tacky glue. it worked actually better. 

This is what it looked like after it was dry. Now for the putty... You can still kinda see the one on her butt but I had to wait for it to dry then I filled it in more with paint. Good thing that part of her was textured. It was the top part that isn't which I new would be much harder. 

I couldn't tell you how much of it all that I used but I will say it was about 2 teaspoons of the gelatin and maybe a stick in a half of chalk. I crushed it into a fine powder with the flat part of my meat tenderizer. That was fun. 

I started to fill in the cracks.. 

Let it dry nicely then kinda sanded it down. It did not come out right the very first time and I ended up having to make more putty (it goes icky fast and you can't save it) and doing it again. 

Finally I felt it was nice and flat and I could match up the colors again ... You can see a little spot there where the putty - I touched it and thought I could fill it in with paint. I couldn't but when its hanging on the wall you can't tell at all. Just if you are sticking your face right into it. 

Here she is all fixed up. I know that the best way to fix the back is to fuse the fibers the best you can then use a glue of some kind to keep it together. Then once that dries you can do your putty and whatever you need in the front. I will need to practice that. I would really like to be able to paint and repair! Something for sure to look into. And my camera did not do the colors any good. It looks like junk. Setting me up for failure for sure! I assure you you can not see anything wrong with it in person. ;) 

Another thing I saw was that instead of using the large patch you can use strips and pull the painting together like butterfly stitches. 

OF COURSE the best way to take care of this is to send it to a professional to be fixed. IF You have the money. I didn't. 

This is the worst experience so far. I have been turned down for shows and told that my art is not their "thing" and those both hurt... but now I know that it can get worse! This was worse....    I am glad its over. 
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Working with the Clipper Ship...

You would think that the easiest things to paint would be the parts that have no order. I don't think so. They seem to be the hardest for me. The most frustrating. I am working on a clipper ship painting for my husband and it has gone through many transformations since I started... Here is the run down so far... 

After this one - I stopped. The sky became muddy and looked like a mother ship.. I didn't like it. It just wasn't "my sky". So I set it on the floor and started over... 

Then I got this far and stopped. I didn't like anything about this either. My sky just wasn't right the way either. It had no reason to me. Just looked like a bunch of paint here and there.. I wanted more depth. So .. I didn't want to start over again so this time I just painted over that sky and around the boat... 

MUCH BETTER I thought.. But now the water is no good. I painted over it all ... painted in some stuff. Didn't like it. Painted over it again... Finally I felt it was better... 

Here it is as it sits on the easel right now.. I am letting it dry so that I can add all the detail to the ship. All the ropes and such that are to be hanging off, no way can I do it without a steady hand! So I will wait. 

If you would like to see the finished painting be sure to watch for it on my fan site Frankie's Art On Facebook. If you are not already a fan - be sure to press the like button! If you are an artists as well please introduce yourself on there too! 

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Small Works For Sale

AFFORDABLE SMALL WORKS OF ART All artwork on this page is for sale.   *****************************    2 1/2" x 3 1/2" ...